2008 Dylan Days

Hibbing High School Auditorium Benefit Concert

Featured Act

Ramblin’ Jack Elliott

Ramblin' Jack Elliott (born Elliott Charles Adnopoz, August 1, 1931) is an American folk performer.

Originally from Brooklyn, New York, Elliott grew up in a Jewish family and had always wanted to be a cowboy, inspired by the rodeos he attended at Madison Square Garden, during his youth. Pressured by his parents to follow in his father's footsteps and become a doctor, Elliott resisted and instead ran away from home (at the age of 15) to join the then-famous J.E. Rodeo, the only rodeo ranch east of the Mississippi River. The rodeo traveled throughout the Mid Atlantic and New England states. Although he was only with the rodeo for three months (before his parents tracked him down and he was sent home), Elliott was exposed to his first singing cowboy, a rodeo clown who played guitar and banjo and sang songs.

Returning home, Elliott taught himself to play guitar and started busking for a living. Eventually he hooked up with Woody Guthrie and lived with him as a kind of student and observer.

With banjo player Derroll Adams, he later toured Great Britain and Europe and had a lasting effect on the music scene there. By 1960, he had made three folk albums for the British label, Topic. Playing in the small clubs and pubs of London by day, he would then take his act to the smart, West End Cabaret night clubs. Upon arriving back in the U.S., Elliott discovered he had become well-known within the folk scene.

Elliott's greatest influence was Woody Guthrie. Guthrie's son, Arlo, has said that because of his dad's illness and early death, he never really got to know him. Arlo acknowledged that he learned his dad's songs and musical style through Elliott.

Elliott's guitar style and his mastery of Guthrie's material made a big impact on Bob Dylan while a student at the University of Minnesota. (Dylan paid tribute to Elliott's music in Chronicles, Vol. 1, pp 250-252.) When Dylan reached New York, he was sometimes referred to as 'son of Jack Elliott', due to Elliott's way of introducing Dylan's songs with the words: "Here's a song from my son, Bob Dylan." While Dylan rose to prominence through his song writing, Elliott continued as an interpretative troubadour, bringing old songs to new audiences in an idiosyncratic manner. Elliott also influenced Phil Ochs, and played guitar and sang harmony on Ochs' song "Joe Hill" from the Tape from California album.

Elliott appeared on Dylan's Rolling Thunder Revue and played "Longheno de Castro" in Dylan's Renaldo and Clara. In the movie, he even sings a song about his character.

    "My name is Longheno de Castro

    My father was a Spanish grandee'

    But I won my wife in a card game

    To Hell with those lords of the sea"

Elliot plays guitar in a traditional flatpicking style, which he matches with his laconic, humorous storytelling, often accompanying himself on harmonica. His singing has a strained, nasal quality which the young Bob Dylan emulated. His repertoire includes American traditional music from various genres, including country, blues, bluegrass and folk.

Elliott's nickname is due not to his travel habits, but rather to the countless stories he would relate before answering the simplest of questions. Folk singer Odetta claims that it was her mother who gave him the name by remarking, "Oh Jack Elliott, yeah, he can sure ramble on!"

He was famously parodied in on the BBC in the 1960s by Kenneth Williams as Rambling Syd Rumpo who was a recurring character on Round the Horne. His claims of authenticity as a folk artist (despite being a Jewish doctor's son from New York City) and disparagement of other folk artists were also parodied by the Folksmen (Christopher Guest, Michael McKean, and Harry Shearer) in A Mighty Wind in the name of their "hit" album Ramblin'.

Jack Elliott's first recording in 20 years, "South Coast", earned him his first Grammy in 1995. He was awarded the National Medal of Arts in 1998. Ramblin' Jack's long career and strained relationship with his daughter Aiyana were chronicled in her 2000 documentary, "The Ballad of Ramblin' Jack".

At 75, he has recently changed labels and released "I Stand Alone" on the Anti- label, with an assortment of guest backup players including members of the Red Hot Chili Peppers; again, an idiosyncratic collection of little-known music delivered with humor and intensity. He is on record as saying his intention was to title the album "Not For The Tourists" because it was recorded in response to his daughter's request for songs he loved but never played in concert. When she asked why he did not play them in public, he replied "These songs are not for the tourists".

Opening Act

Spider John Koerner and Tony Glover

Spider John Koerner is one of America’s truest musical originals and one of the greatest practicianers of the traditional song. His musical career has taken him to stages throughout North America and Europe. He has entertained many and influenced several generations of musicians.

"Spider" John Koerner, traditional American folk and country blues musician, rhythmic guitarist, song-crafter, singer, and humorist, shapes his musical style from a solid foundation of study of the old blues masters, respect for the traditional song, and a firm command of his source material.  Alone among the young blues revivalists, Koerner had a sound that was completely idiosyncratic and personal. From the first guitar riff, there was never any doubt about who was playing.  Today the material has changed but the sound is intact...spare and funky, with lots of open spaces between oddly placed notes, all of it held together with his impeccable timing."--Blueswire   http://www.mwt.net/~koerner/

From Bob Dylan's autobiography, Chronicles, Volume One.

"With my newly learned repertoire, I then went further up the street and dropped into the Ten O'Clock Scholar, a Beat coffeehouse. I was looking for players with kindred spirits.

The first guy I met in Minneapolis like me was sitting around in there.

It was John Koerner and he also had an accoustic guitar with him. Koerner was tall and thin with a look of perpetual amusement on his face.

We hit it off right away. ... When he spoke he was soft spoken, but when he sang he became a field holler shouter.

Koerner was an exciting singer, and we began playing a lot together."

Tony Glover authored several best-selling harmonica instruction manuals, worked as an all-night "underground" DJ, and spent time in New York as a music journalist for various magazines, including Rolling Stone, Crawdaddy and Circus. His notes for Dylan's LIVE 1966 album won the ASCAP Deems Taylor award. A Trio show in 1984 formed the foundation for his production: Blues, Rags & Hollers: The Koerner, Ray & Glover Story, a two-hour performance/documentary video. In 1987, he won the "Best Electric Harp" award from the Minnesota Music Awards.  Glover's "Blues With A Feeling: The Little Walter Story,"  was published by Routledge in 2002.  The book has received critical acclaim, winning the ARSC Award in 2003, and being inducted into The Blues Hall Of Fame by the Blues Foundation in 2007 as a "classic of blues literature."   http://www.mwt.net/~koerner/tonyglover.html